Midnight Snackings
Previously known as 'Art Music Fashion and Random-ness'...
About Me
- hayleeey
- Zone 4, London, United Kingdom
- Words. Visual. Creativity. Mix. Chinese. Swearing.
Monday, 12 July 2010
Paris 2010 (Part 1 - day 1 and 2)
Sunday, 27 June 2010
Paris playlist - 2010
Tuesday, 15 June 2010
Paris list
What to bring to PARIS:
DAY 1: Black BikBok top - tights/Black H&M dress - blue leggings
DAY 2: Jean shorts - red AA top - blue tshirt/ZARA dress
DAY 3: Jean shorts - peach tshirt - white vest (tucked underneath)/Blue BIKBOK top - (over) Stripy H&M dress
Sleepwear/lounge:
AA "Legalize LA" tshirt - Batman pink shorts - leggings
3 x knicker/pants TOPSHOP
3 x bras - Strapless black/nude - yellow
Shoes:
1 x H&M flats
1 x Black Mary Janes flats
1 x White CONVERSES
Bags:
Free REISS bag
Elephant bag
Cameras:
Digital CANON IXUS 100IS
Diana Mini
Polaroid
Film:
1 x Polaroid pack
1 x Redscale film
1 x 800ISO
1 x 200ISO
Books/Entertainment:
The Devil Wears Prada
Time Out Paris
Professor Layton and Pandora's box/DS Nintendo
Extra beauty products:
1 x Suntan location (spray)
1 x Aftersun
1 x UV hair shampoo
1 x Face SPF moisturizer
1 x Body moisturizer (Firming)
This is a 3 day trip. I hope to edit things out clo
ser to the time. I already took out the Fish Eye and my ActionSampler cameras :(
Sunday, 13 June 2010
I come out of nowhere bearing information...
Wednesday, 10 March 2010
Sketchook magazine's first Pop-Up exhibition!!!
The Sketchbook Pop-Up Shop will run for a limited period of 3 weeks following the launch of the second issue of Sketchbook Magazine. This community driven project offers visitors a chance to interact with a series of Sketchbook’s contributing guest bloggers, artists, designers, illustrators and editors who are all key figures in the contemporary fashion and arts community. These guests, including Sketchbook’s covergirl Susie Bubble, will be holding scheduled educational workshops, lectures and panel discussions, which will be digitally streamed through an interactive live thread.
The Sketchbook Pop-Up Shop will be selling several limited edition prints and illustrations as well as kitsch one-off art pieces by a select group of our Sketchbook contributors.
There will be a main gallery space as well as several themed rooms with custom made illustrations on the walls, created especially for the event by our contributors. There will also be 2 screening rooms showcasing Sketchbook TV episodes and other short films.
Visitors can join the Sketchbook team and our special guests for
tea and cake between 5 and 6pm.
A competition will be running throughout, offering visitors the opportunity to submit illustrations to be used on the front cover of a future issue. The winner will be announced in the following month.
Visitors are also invited to help document the events, with cameras available and a large blank canvas for people to illustrate, write their thoughts, stick photos on and show their support.
Sketchbook is a quarterly magazine with a print run of 10,000 that showcases established and emerging creative talents in fashion, design and culture with a focus on features, photography and illustration. Sketchbook is not just about the product itself, but also about the beauty of the process of conceptualisation, creation and appreciating the means to an end.
The mission is to inspire youth to path-find, allocate their passions, understand how the creative industry works, what opportunities it provides, and pursue it full force using online resources, digital media and publishing as tools for success.
Starting from the 31st March, join Sketchbook for the first exhibition at the Pop-Up Shop , showcasing the work of key contributing illustrators.
10 Newburgh Street, Carnaby, London W1F 7RN.
Wednesday 31st March – Monday 19th April 2010
Monday to Saturday: 10am-7pm, Sundays: 12noon-6pm''
Saturday, 13 February 2010
Alexander McQueen
Alexander McQueen: What, if I could choose anyone?
JM: Anyone in the world.
AM: Elizabeth I ...
JM: Why would you want Elizabeth I? The history maybe?
AM: 'Cause she's an anarchist.
JM: She's an anarchist?
AM: She was an anarchist, yeah. Do you want to have a bit of debate on this?
JM: Well, not at the moment, no.
AM: Because, y'know, she kind of founded the Church of England under her father, with all the upheaval from the French and the Scottish ...
JM: Who are your other ones?
AM: Jesus of Nazareth, to check if he really exists, and it's not just we've been reading some Peter Pan book for the past 2,000 years. Or Mel Gibson, to be there if Jesus wasn't true.
JM: If you could live and work as a designer in any era, which one would it be?
AM: Any time? Future as well?
JM: Future as well. But particularly the past.
AM: Let's stick to the past then. I'm thinking cavemen and loincloths.
JM: What about Tudors and Stuarts?
AM: Er ... I'm answering the questions! Most probably ...
JM: What about -
AM: I'm thinking ! Fifteenth-century Flemish, Netherlands. My favourite part of art. Because of the colours, because of the sympathetic way they approached life.
JM: Simplicity, you mean.
AM: I'm not going to get into a big art debate with you.
JM: No, I'm trying to get to the bottom of why you like that.
AM: 'Cause I think they were very modern for their times, in that period and in that part of the world.
JM: You spend as much time as possible in your beautiful cottage in the country. Do you find that the inspiration you get down there features in your work?
AM: I don't find inspiration there - it gives me a peace of mind, Mum. Solitude, and a blank canvas to work from, instead of the distractions of the concrete jungle.
JM: Right. So it does inspire you in some ways then.
AM: Not technically. Not country life or bobbing rabbits. It's the peace and quiet.
JM: As you know, I'm a Simply Red and Elton John fan. Who are your favourite artists?
AM: As in singers?
JM: Yeah, well, y'know, groups, whatever. Because at one time, you were very much into classical music.
AM: Beyoncé. No, I'm only joking.
JM: He was about, what, 15. I know because I've still got them at home.
AM: I think composers. People like Michael Nyman, who compose an original piece of music - believe it or not, the artists today are inspired by people like Michael Nyman and Philip Glass, who come up with unusual sounds.
JM: I know, I know, that's where pop music comes from ...
AM: Nah, it's like the architect who designed the Gherkin [Norman Foster and his Swiss Re tower in London] inspires people, or Alexander McQueen does a collection that inspires other people to do different things and move things forward. Rap music's been around for too long now to be inspirational. The words are, but the music isn't.
JM: You haven't given me an answer there. You haven't come out with a group.
AM: I have - Philip Glass and Michael Nyman.
JM: All right, then. I'll ask another question. You have travelled extensively around the world but still have not been to the Isle of Skye, which is the root of your McQueen history. Will you ever visit that area?
AM: Mmm ... yes.
JM: In the near future?
AM: Yes.
JM: Right. And that follows on to my next question: what do your Scottish roots mean to you?
AM: Everything.
JM: Well, where do I come in?
AM: [laughs] Oh you're from the Forest of Dean, yeah. What do you mean, where do you come in?
JM: Well, your Scottish roots mean a lot to you. So where does your mother's side come in?
AM: What does my mother's side, the Welsh side, mean to me?
JM: I'm not Welsh! I'm Norman!
AM: All right, Norman! Where does this Norman come from?
JM: Well they come from Viking stock.
AM: That answers a lot for an awful lot of people, I think. I feel more Scottish than Norman.
JM: You recently got your deep-sea diving certificate, didn't you?
AM: Yeah, underwater diving.
JM: Well, two of my family discovered the wreck of the Marie Rose, deep-sea divers. Just explains that you've taken up deep-sea diving as well. It's a follow-on really, isn't it?
AM: So from the McQueen side I've got anarchy, and my mum's side, underwater diving.
JM: The calm part. You are often described as an architect of clothing, and I know that you have a keen interest in architecture. What is the most breathtaking building you've ever seen?
AM: Ronchamps, by Corbusier.
JM: What do you think of the modern buildings in London?
AM: I love the Gherkin.
JM: You do?
AM: I think it's fantastic.
JM: But you don't like any of the old architecture in London?
AM: Well, yeah, but it's not as nice as it is in Italy or Paris.
JM: If you hadn't trained on Savile Row, how would you have entered the fashion industry?
AM: I'd have slept my way there.
JM: Or, I don't know ...
AM: Other ways. I'd have found other ways of getting into it.
JM: Do you look at something else and say, "I could have done that as well"?
AM: Photo-journalism. It's art for the modern times. I think it captures a moment in time that is spontaneous and that reflects where we are. The one I couldn't have done is be an architect, because I don't have the brain capacity or the patience.
JM: No, you haven't got the patience, have you? You mix with VIPs, celebrities, aristocracy ... How does coming home and being the baby of the family make you feel?
AM: I'm never fazed by it, because whenever I get home, Dad will always ask me to make him a cup of tea. So it's just normal.
JM: If you were prime minister or in government, what policies would you implement to make the UK a better place to live?
AM: More politically correct police officers on the streets. And more focus on the north of England instead of just the south, on not so developed parts of the country.
JM: What do you mean, "politically correct police"?
AM: Well, not homophobic police, not racist police, you know? The police need to come down to street level.
JM: Success has brought you financial security. But if you lost it all tomorrow, what would be the first thing you would do?
AM: Sleep. I'd be pleased.
JM: I said you'd go on holiday.
AM: What with? I'd lost it all!
JM: When you received your CBE last October, you told me and Dad that you locked eyes with the Queen and it was like falling in love. What was it about her presence that captivated you?
AM: I made a pact with myself that I wasn't going to look into her eyes.
JM: But you did.
AM: I did. There was a simultaneous lock, and she started laughing, and I started laughing ...
JM: It was a nice moment, wasn't it?
AM: It was. We caught it on camera where we're both laughing at each other. She asked a question, "How long have you been a fashion designer?" and I said, "A few years, m'lady." I wasn't thinking straight - because I'd hardly had any sleep.
JM: You were nervous.
AM: I was really tired. And I looked into her eyes, it was like when you see someone across the room on a dancefloor and you think, "Whoa!" It was like when I looked into her eyes, it was obvious that she had her fair share of shit going on. I felt sorry for her. I've said a lot of stuff about the Queen in the past - she sits on her arse and she gets paid an awful lot of money for it - but for that instant I had a bit of compassion for her. So I came away feeling humbled by the situation, when I wouldn't have even been in the situation if it wasn't for you.
JM: I thought it was a great honour.
AM: I didn't want to do it.
JM: It was an honour for you ...
AM: Yeah, but I had my views on what it stands for.
JM: What is your most terrifying fear?
AM: Dying before you.
JM: Thank you, son. What makes you proud?
AM: You.
JM: Why?
AM: No, no, ask the next one: "What makes you furious?" You! [laughs]
JM: No, go on, what makes you proud?
AM: When things go right, when the collection goes right, when everyone else in the company's proud.
JM: What makes you furious?
AM: Bigotry.
JM: What makes your heart miss a beat?
AM: Love.
JM: Love for children? Love for adults? Love for animals?
AM: Falling in love."